In part one we saw
how Hitler toned down his initial anti-masonic
rhetoric in order to focus primarily on his Jewish conspiracy theory
whereby in Catholic Spain Fascists were less
restrained. In this third part, now we come to the present time period
where we follow in the footsteps of a recent documentary titled Terra Masonica, Around The World In 80 Lodges including
Stephen Knight claims about a Masonic conspiracy, activities like those of the Ndrangheta, when only four
weeks ago $193m in assets were seized, Dan Brown's masonic musings in The
Lost Symbol, including the role of
Freemasonry in British India including the little, researched influence on
Indian Nationalism.
Having presented what happened in Spain, we should ad that
Catholicism was not the only home for religious anti-Masonry. In the early
1990s, some evangelical Protestant groups in the United States expressed an
anti-Masonic phobia not seen since the Taxil hoax of
the 1890s. Their propaganda alleged that Masons in the highest Degrees all
worshipped Baphomet, the goat-headed avatar of the devil supposedly revered by
the Templars in the fourteenth century, as by Taxil’s
fictional Palladian rite in the nineteenth. Albert Pike, Confederate general
and guru of the Scottish Rite in the Civil War era was
portrayed as the anti-Pope of the Masonic anti-Church.
Although the Southern
Baptist Convention ruled in 1993 that Masonic membership was a question for
each individual Christian’s own conscience, the spread of the Internet in subsequent
years ensured that there would always be a home for such ravings. For example,
Albert Pike’s strange afterlife as the star of conspiracy theories looks set to
continue. Pike hit the news recently because in 1871 he supposedly made a
prophecy about a Third World War between the Christian West and Islam. British
tabloid newspapers the Sun and the Star first reported the story in 2016. In
their wake, a long list of websites now tells us that the secret goal of the
Illuminati is to make Pike’s prophecy come true. Which is indeed ‘chilling’, as
the Sun called it. As long as you are extremely naïve and entirely without
historical memory.
There are many parts
of the world where anti-Masonry is a much darker force. Since the 1960s,
Freemasonry has disappeared from almost all of the Muslim world. When the Raj
ended in 1947, the Craft survived the partition of India. However, in Pakistan,
the number of members and Lodges fell dramatically with the migration of most
of the white British population. There were about one thousand Freemasons left,
many of them Muslims, when an ominous series of press attacks began in 1968:
the Craft was accused of being a Zionist front group financed by the CIA. It
was outlawed by President Zulfikar Ali Bhutto in 1972. The Masonic Temple in
Lahore, where Rudyard Kipling was initiated, is now a general-purpose
government building.
In Iran, to cite just
one more example, Freemasonry reappeared as an aristocratic club in 1951 under
the new Shah, Mohammad Reza Pahlavi, who used it to build loyalty to his regime
among the elites and middle classes. The Islamic Revolution of 1979 swept the
Lodges away, and many Brothers, particularly those close to the deposed Shah,
were executed.
As of 2019,
Freemasonry is banned everywhere in the Muslim world except Lebanon and
Morocco. The Charter of the Palestinian Islamic Resistance Movement, better
known as Hamas, describes Freemasonry, the Lions and the Rotary Club as
‘networks of spies’ created by the Jews to ‘destroy societies and promote the Zionist
cause’.
In western
democracies, Freemasonry’s reputation for secrecy continues to provide an
awkward test for tolerance. Masons have some justification in regarding
themselves as the pit canaries of freedom of association and the rule of law.
Even Britain, the very cradle of the Craft, provides a demonstration.
The alleged secrets of British Masonry
In 1976, a young
provincial journalist called Stephen Knight claimed that a Masonic conspiracy
was responsible for Jack the Ripper’s series of unsolved murders in 1888.
Knight’s book, Jack the Ripper: The Final Solution, was dismissed as laughable.
Nonetheless, it captured the imagination enough to go through twenty editions.
Its echoes endured: the gloriously spooky graphic novel From Hell (1989), and a
slasher movie of the same title starring Johnny Depp (2001), were both inspired
by Knight.
At the time of Jack,
the Ripper: The Final Solution, the United Grand Lodge of England had a
longstanding policy of maintaining silence in the face of conspiracist accusations.
Stephen
Knight’s subsequent book, The Brotherhood (1983), would expose the limits
of that policy.
The Brotherhood was
an odd mixture. There were painstaking and tedious protestations of good faith
(‘we should not judge Freemasonry by the actions of a few individuals’),
together with ambiguous evidence of workaday misdeeds by Masons within the
police force. But there were also absolutely false claims that Knight had
unmasked upper tiers of Masonry so secretive that even the vast majority of
Brethren had no idea they existed. Based on an error-strewn summary of the P2
story, Knight went on to propose that Soviet intelligence had masterminded Gelli’s plot so as to discredit an enemy government. He
concluded that, in the UK, the ‘KGB’s use of Freemasonry for placing operatives
in positions of authority’ was ‘almost certain’.
Knight became a
follower of the Indian cult leader Bhagwan Shree
Rajneesh in the year The Brotherhood came out. He died two years later after
refusing conventional medical treatment for a tumor. Despite his lack of
authority and his book’s glaring shortcomings, The Brotherhood had a huge
impact. As conspiracy theories began to circulate about Knight’s death, another
journalist took up his work on Masonic scheming within the police. The same old
refrain began: if the Freemasons are as innocent as they say, why all the
secrecy? In June 1988, Jeremy Corbyn, Labour Party
leader between 2015 and 2020 but then a backbench MP, declared in parliament:
Many of us are
gravely suspicious about the influence of Freemasonry. I am utterly opposed to
it and to the influence of other secret organizations because I believe them to
be a deeply corrupting influence on society … Masonic influence is serious …
Freemasonry is incompatible with being a police officer … I am suggesting that
the power of a Masonic Lodge on any organization is sinister and insidious. The
British public was ready to stretch its credulity a long way when it came to a
police force that had a shabby reputation, especially for framing Irish people
for IRA bomb attacks. These were the years of the notorious Guildford Four,
Maguire Seven, and Birmingham Six cases, as well as of Operation Countryman (an
investigation into collusion between the City of London Police and professional
criminals). This distrust of the police made a potent cocktail when combined
with the centuries of suspicion surrounding Masonic secrecy. Henceforth,
newspaper editors were all on the lookout for a Masonic angle to stories of
wrongdoing.
The strongest
evidence of Masonic foul play that Knight had to offer was the United Grand
Lodge’s refusal to dignify his allegations with a reply. So in response, the
English Masonic leadership looked hard at its own culture of secrecy. It turned
out that even rank-and-file Masons thought that they were supposed to keep
silent about their membership, despite there being no such rule in place; some
had not even told their families. Henceforth, they were encouraged to speak
openly. A post of Director of Communications was created. Freemasons Hall in
Covent Garden opened its doors to visitors for the first time in 1985. English
Freemasonry’s lax disciplinary procedures were also tightened, and the number
of expulsions rocketed from 12, between 1934 and 1986, to 277, between 1987 and
1996. In the early 1990s, non-Mason historians would begin to delve into the
archives of the Grand Lodge.
However, this Masonic
glasnost failed to stop the suspicion, which took parliamentary form in 1992
with an all-party Home Affairs Select Committee set up to investigate any
influence the Craft might have within the criminal justice system. Every
imaginable insinuation against Masons and Masonry was aired – with
anticlimactic results set out in the Select Committee’s report. Yes, individual
Freemasons had committed crimes, and some of those Freemasons were policemen.
But no, these individuals were not representative of Masonry as such, nor was
Masonry a factor in what they had done. The overwhelming majority of witnesses
who alleged that there was illicit networking by Masons had no proof. The
number of Brothers in the police and judiciary was far smaller than suspected
and was falling. A certain kind of secrecy was part of Freemasons’ rituals, but
the organization itself was no more secret than a sports club or professional
body.
In the end,
everything boiled down to an image problem. Widespread mistrust of British
Freemasonry, groundless as it was, nevertheless damaged public confidence in
the institutions. So the solution was for all Masons in the judiciary to make a
declaration of interest, the Select Committee advised in 1997.
This final
recommendation sounded sensible enough, and the Labour
Party, which came to power in 1997, set about trying to implement it. Wielding
the Sword of transparency against a stuffy institution like the Craft would
help justify the ‘new’ in New Labour, as leader Tony
Blair had rebranded the party. From 1998, judicial appointees were obliged to
declare if they were Freemasons.
However, the policy
never escaped a tangle of practical issues and legal objections. If there was
no evidence that the Craft was a source of trouble, why target it? Would the
declaration-of-interest policy not lead to prejudice against Masons, a
presumption of guilt? If it applied to Masons, what reason could there be for
not applying it to other forms of belonging that might conceivably lead to
bias, like religions, or Oxford colleges? In the early 2000s, the European
Court of Human Rights ruled on two cases in Italy where local government had
tried to apply a similar policy to Freemasons: the Court decided that the
measure was discriminatory and contrary to the right of free association. In
2009, on the verge of losing power, the Labour
government very quietly gave up on the scheme, acknowledging that it had
achieved nothing. Meanwhile, an assumption had long since bedded down in the
public mind: Freemasonry was ‘the mafia of the mediocre’, a coterie of paunchy
men pursuing preferment in their careers and protection from scrutiny.
Headlines in the
press have alleged that Freemasons were responsible for a whitewash at the
inquiry into the sinking of the Titanic in 1912, and for concealing the
dreadful police misconduct at the Hillsborough stadium disaster, which led to
the death of ninety-six Liverpool football fans in 1989. Such ‘revelations’
typically cite little or no supporting evidence and die with the first
headline. In both of these cases, the conspiracy interpretation looks feeble on
even a cursory second glance. The British marine establishment of 1912, and the
South Yorkshire police of 1989, both had compelling motives for covering up
their own mess and scapegoating – respectively – the captain of the Titanic and
a mass of innocent soccer fans. There are no loose ends for the Masonic
conspiracy theory to explain. Yet such stories regularly make it past the
bullshit detectors of reputable newspapers.
The Lost Symbol
In 2009, Grand Lodges
across the United States were in a state of fibrillation. Six years earlier,
Dan Brown’s The Da Vinci Code, a cloak-and-dagger thriller about
earth-shattering truths supposedly concealed by the Catholic Church, had sold
in Harry Potter quantities and been adapted into a hit movie. Now Brown’s
sequel, The Lost Symbol, was imminent: set in Washington DC, its theme would be
the secrets of Freemasonry, and the initial print run a record-breaking 6.5
million copies. The fear was that, just as the Vatican had been besieged by
cranks in the wake of The Da Vinci Code, so the Masonic establishment would be
made answerable for whatever portentous baloney Dan Brown had made up this time
around. Even before The Lost Symbol, the Scottish Rite headquarters in
Washington DC regularly had to report threatening letters to the police.
The Lost Symbol sold
a million copies on its first day alone. But it proved to be a false alarm.
Within a few short weeks, the tide of interest in Freemasonry had subsided to
normal levels. Part of the explanation for the anticlimax lies within the novel
itself. Whatever its flaws, which were gleefully nailed by reviewers at the
time, The Lost Symbol has a clever way of feeding our enduring obsession
with Masonic secrecy, without making too many concessions to the silliest
myths. In the end, it is only the novel’s deluded, psychopathic villain who
believes that the Masons are guarding momentous mysteries. By contrast, the
hero, ‘symbologist’ Professor Robert Langdon, gives the Brothers a glowing
press: ‘For the record, ma’am, the entire Masonic philosophy is built on
honesty and integrity. Masons are among the most trustworthy men you could ever
hope to meet.’ The real star of The Lost Symbol is Washington DC, which is
reimagined as a Masonic maze of unknown tunnels, high-security laboratories,
underground sanctuaries, and coded inscriptions. In the real world, Masonic
Washington certainly has plenty of history. However, far from being hidden, it
could scarcely be less ostentatious. Most of it consists of huge monuments from
the golden age when Masonry was central to male life across the nation. More
than any other Freemasons across the western world, Craftsmen in the United
States have a huge architectural patrimony to administer.
The most magnificent
Masonic edifice in the capital is the House of the Temple (1915), the
headquarters of the Scottish Rite (Southern Jurisdiction). With a Mesopotamian
ziggurat roof and a columned façade guarded by sphinxes, it is modeled on the
Mausoleum at Halicarnassus – one of the seven wonders of the ancient world –
which was intended to bestow god-like status on a Persian imperial satrap. The
man immortalized in the House of the Temple is Confederate general Albert Pike:
his ashes are walled in next to a shrine dedicated to big donors. The heart of
the building is the Temple Chamber, the holy of holies of Scottish Rite
Masonry: a lavish square hall of black marble, purple velvet, Russian walnut,
and bronze – all dramatically lit by high windows and a skylight. It is open to
visitors.
Atop a hill across
the Potomac, a Metro ride away in Alexandria, Virginia, stands the George
Washington Masonic National Memorial (1932), which rises where the great man
was a member of the local Lodge. It too is a copy of one of the seven wonders
of the ancient world: the Lighthouse of Alexandria in Egypt. In its atrium
stands a titanic 5.2-metre bronze statue of the first President, Brother George
Washington, in his apron; it was unveiled in 1950 by the thirty-third
President, Brother Harry S. Truman.
Freemasons today have
a less heroic outlook than the monuments bequeathed to them by earlier
generations. With the Craft in decline, they now seem almost embarrassed by the
grandeur that surrounds them. The House of the Temple is a massive financial
burden for the Scottish Rite: $45 million has been raised in a decade to fund a
renovation, renovation, but much more is needed to endow ongoing repairs. The
George Washington Masonic National Memorial is forlorn, struggling for a
purpose. While it holds one or two genuine artifacts from the life of the great
man, most of the rest is the detritus of Washington’s posthumous Masonic
personality cult. The Director told me when I visited that ‘90 percent of the
stuff that is on display in this building is contrived, it’s fake’.
Ironically, cinema is
important to the survival of these buildings and NBC is adapting “The Lost
Symbol, into a television series, Deadline reports. The planned series, titled
“Langdon,”
will be produced by CBS Television Studios, Universal Television, Imagine
Television Studios, and Daniel Cerone.
For example, The
Prince Hall Grand Lodge tells us about a very distinctive conception of what
Freemasonry is about. It stands at the center of U Street and was at the heart
of the black community with which U Street was synonymous. Beginning life as an
encampment of freed slaves after the Civil War, the U-Street area was a
town-within-a-town in the era of segregation. At a time when white capital was
denied to African-American businesses, they were funded by the Industrial Bank:
created in 1934 by Most Worshipful Past Grand Master Jessie H. Mitchell, it was
and is located just across from the Grand Lodge. U Street was once known as the
‘Black Broadway’, where the likes of Brother Cab Calloway came to play. Brother
Duke Ellington was at home here: he was a member of Social Lodge no. 1, which
met (and still meets) in the Grand Lodge building. A few blocks away, Howard
University-trained a black intellectual élite: Brother Thurgood Marshall
graduated from the Law School in 1933. Indeed, civil rights were built into the
very fabric of the U-Street Grand Lodge. The plan for the building was
suggested by Brother Booker T. Washington when he came to speak in 1912. The
lower floors were to contain a big dining hall and shop spaces that could be
rented out to provide sustainable funding for the Masonic activities on the
upper floors: hence the pharmacy. Still today, at the end of a corridor within
the Grand Lodge building you can find a door guarded by fluted columns and
encased in mirrored plastic: it is marked ‘Washington DC Branch NAACP’.
Yet U Street is no
longer the force it once was. The heart was ripped out of the community in 1968
by the desperate revolt following the assassination of Martin Luther King. Much
has changed in the lives of African Americans. U Street has made a slow recovery,
which has been driven by yuppification in recent years; the place now lives on
its heritage. The Prince Hall Craft has seen better days too: in United States
Masonry, white, and black areas one in having a greying membership.
Chequered No force more than the British Empire was responsible
for creating the ‘Masonic Earth’ celebrated in Bourlard’s
documentary. So perhaps the most appropriate theme to finish with is the legacy
of the Empire in Masonry and how it influenced also Hindu Nationalism.
Freemasonry and Indian Nationalism
The Masons of Bengal
in the 1860s knew what opening up Freemasonry to Indians would mean, and they
were dead set against it. It was Lord Zetland (the
English Grand Master) and his deputy, Lord Ripon, who in the 1860s had to insist
upon the principle of universal brotherhood and, in doing so, promoted, albeit
from the top down, a new vision of empire among Masons.
Indian Masons
assimilated only too well to the British imperial community-to the point of
becoming "brothers" to the English, Scottish, and Welsh-and they
strove to obtain the rights and privileges which attended this fraternal
assimilation. This was the genesis of the nationalist impulse among the
western-educated Indians.
They envisioned and
expected to live in an empire of nationalities, in which Indians played an
equal role with whites in governing the Indian Empire. Unfortunately for them,
the British were simultaneously forging a national identity based on their
superior position in the Empire. In the contest between these two nationalisms,
British and Indian, the middle path of an imperial brotherhood based on parity
would necessarily lose out. Indian Masons, then. who had gone a long way in
reaching parity with the British in the lodge, sought the same thing in the Raj
as nationalists, but were to find that parity there was "blocked," or
at least too slow in coming.
At the first Congress
in 1885, Dadabliai Naoroji
explained what drew the western-educated Indians politically to the British:
'What attaches us to this foreign rule with deeper loyalty than even our own
past Native rule, is the fact that Britain is the parent of free and
representative Government and that we, as her subjects and children, are
entitled to inherit the great blessing of freedom and representation.' (Briton
Martin, New India, 1885, p. 298)
In the front ranks of
Indian leaders in the early Congress Party (and even before) were a number of
Masons: Dadabliai Naoroji, Pherozeshah Mehta, Badruddin Tyabji, Narayan Chandavarkar, among those in Bombay. In Bengal, there was
W.C. Bonnedee, Man Mohan Ghosh, and Rash Behari
Ghosh, and probably others who research in lodges there would no doubt turn up.
What these men wanted
was respect, to be treated as equals, to be "brothers" with the
British in running India, just as they were "brothers" with them in
the lodges.
An examination of the
Masonic Presidents of the Indian National Congress from its inception in 1885
to the Surat "split" between Moderates and Extremists in 1907, is
impressive. Of the Congress Presidents from the Bombay Presidency, a staggering
seventy-eight percent-were Freemason. In addition, one President-Lal Mohan
Ghosh was the brother of the Mason, Man Mohan Ghosh, and thus may have been a
Mason himself (which would have made forty-eight percent of the I.N.C.
Presidents Masons):
1885 W.C. Bonnedee
Mason (Bengal)
1886 Dadabhai Naoroji Mason (Bombay)
1887 Badruddin Tyabji Mason (Bombay)
1888 George Yule Unknown
1889 William Wedderburn Unknown
1890 Pherozeshah Mehta
Mason (Bombay)
1891 P. Ananda Charlu
Unknown
1892 W.C. Bonnedee Mason
(Bengal)
1893 Dadabhai Naoroji Mason (Bombay)
1894 Alfred Webb, M.P. Unknown
1895 Surendranath Banedea Unknown
1896 Rahirntulla
Muhammad Saymni Mason (Bombay)
1897 Sir C. Sankaran Nair Unknown
1898 Ananda Mohan Bose Unknown
1899 Ramesh Chandra Dutt
Unknown
1900 Narayen Ganesh Chandavarkar
Mason (Bombay)
1901 Dinshaw EduIji Wacha Doubtful (Bombay)
1902 Surendranath Banedea Unknown
1903 Lal Mohan Ghosh Unknown (brother of M.M.
Ghosh)
1904 Sir Henry Cotton Unknown
1905 Gopal Krishna Gokhale Doubtful (Bombay)
1906 Dadabhai Naoroji Mason (Bombay)
1907 Rash Behari Ghosh Mason (Bengal)
Compared to the early
days of the Grand Lodge of India, the Lodges no longer attract the ‘very
highest echelons’ of society. Partly as a result, money is a problem too.
Indian Lodge buildings often betray their origins in the infrastructure of the
Empire: they are on land leased long term from the railways or the military.
Many such plots have rocketed in value as India has prospered. With the leases
coming up for renewal, the Brothers face a tough challenge to stay in their
collective homes.
There are also
looming recruitment problems. Many educated young men simply do not have time
for Lodge business: those employed in the burgeoning IT industry work extremely
long hours, often on American or European time, in facilities situated far from
the historical city centers where the Temples are.
One thing that is
decidedly not a problem for Indian Freemasonry is intolerance. The very first
Grand Master elected at the foundation of the Grand Lodge of India in 1961 was
a Muslim; recent Grand Masters have included a Sikh and a Parsi, and the
current head of the Southern Region is a Syrian Christian. Indian Lodges all recognize
no fewer than five different Volumes of Sacred Law: the Bhagavad Gita, the
Qur’an, the Bible, Guru Granth Sahib (for Sikhs), and
the Zend-Avesta (for Zoroastrians). Bharat even has words of understanding for
Rudyard Kipling, author of ‘The Mother Lodge’, whose racism he says was no more
than ‘a reflection of the time’. Indeed, Kipling’s portrait adorns the home
page of the Grand Lodge of India website, side by side with that of his Brother
from Allahabad days, Motilal Nehru.
Thus, in India at
least, the legacy of Freemasonry’s role in the British Empire is largely a
positive one. Elsewhere, Freemasons have a tougher task coming to terms with
the shadows in their past. Australia is a case in point. One of the many
troubling aspects of the inhuman treatment of Aboriginal peoples over the
centuries since the first whites arrived in 1788 is the abuse of indigenous
burial sites, which all Aboriginal nations regard as essential to their bond
with the landscape. Identifying and reinterring ancestral remains is a cause
pursued with passion by Aboriginal groups. In 2002, following an amnesty,
Freemasons handed over to the Melbourne Museum a large but uncatalogued
collection of indigenous remains, ‘usually crania and arm or leg bones’. For
many years, the Lodges of the state of Victoria had been using Emblems of
Mortality stolen from Aboriginal graves. A member of the Museum’s Indigenous
Advisory Committee was appalled:
This material has
turned up without information on the source of these remains or why they were
collected. It’s scandalous that so many of our ancestors were held by the
Freemasons, but it’s made worse by the fact that the Freemasons cannot tell us
where they come from. How are we to rebury our ancestors when we don’t know
where they came from? No wonder that the Craft was recently called to account
for its role in colonization by one of Australia’s leading artists, in a
prize-winning work that now hangs in the National Gallery of Australia. Danie
Mellor’s From Rite to Ritual depicts a Masonic Lodge and its associated
symbols: columns, chessboard floor, coffin, and the skull-and-crossbones. The
scene is painted in the same blue as the Willow pattern crockery decorated with
kitsch Chinese scenes that were first produced in Britain in the late eighteenth
century – a typical consumer commodity of the imperial economy at the time when
the Craft was being transplanted across the globe. Standing out incongruously
against this background are color cameos of Australian animals, such as koalas,
kangaroos, and red-winged parrots. At the center of the temple floor are
ghostly Aboriginal men enacting a ceremonial dance. The picture reminds us of
how the Craft provided a solemn and harmonious cover story for the lethal and
greedy business of carving out colonies.
Yet Danie Mellor is
aware of the Craft’s insistent contradictions: not only is he a former
Freemason, but he is also of mixed indigenous and European heritage. From
Rite to Ritual also dwells on the fragile common ground between western
Freemasonry and indigenous Australian cultures, notably the way knowledge is
embedded in ceremonies, and death is seen as central to the experience of being
human. Australian Freemasons point to some Aboriginal community leaders who
have been on the Square, such as Sir Douglas Nicholls, the élite Aussie rules
footballer, campaigner, and Governor of South Australia in the mid-1970s. A
glance at the indigenous press suggests that Nicholls is not an entirely
isolated case. Historically, Freemasons may have poached symbols from other
cultures around the world for use in their ceremonies, but the Lodges have
proven again and again that they are also cradles of cultural dialogue.
A sense of history
has always been crucial to Freemasonry. But all too often, the Masons have
squeezed their history into rosy identity narratives. And they would be truer
to their values if they explored ways to write their story that have a bit less
Masonic harmony and a bit more social tension. Freemasonry’s past is as chequered as a Lodge floor.
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L.
Musolino, ‘Calabria, Grande Oriente chiude 3 logge massoniche: “Infiltrate
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H. Richardson, ‘Chilling letter written almost 150
years ago predicted both world wars and a THIRD battle against Islamic
leaders’, the Sun, 7 March 2016.
R.S. Sidhwa, District Grand
Lodge of Pakistan (1869–1969), Lahore, 1969
M.A. Tabbert, American
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Tribunale Ordinario di Roma, Sezione dei giudici
per le indagini preliminari
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into Freemasonry.)
Tribunale di Reggio Calabria, Sezione
G.I.P.–G.U.P., Ordinanza su
richiesta di applicazione
di misure cautelari, De
Stefano, Giorgio + 7, 12 July 2016 (‘Inchiesta Mammasantissima’).
Tribunale di Reggio Calabria,Processo
Gotha. Rito abbreviato. Motivazioni della sentenza, 1 March 2018.
United Grand Lodge of England, ‘Gender reassignment policy’,
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T.
Zarcone, Le Croissant et le Compas. Islam et franc-maçonnerie de la fascination
à la detestation, Paris, 2015. On the fate
of Masonry, and of Kipling’s Mother Lodge, in Pakistan, p. 113. On Iran,
p. 115.
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