P.1: From Mircea Eliade to Carlos Castaneda
One of the first signs of our
fascination with all things 'shamanic' in the second half of the twentieth century,
is Mircea Eliade ‘s 1964 “Shamanism: Archaic Techniques of Ecstasy”. Some
scholars and most neo-Shamanic practitioners uncritically accept Eliade's
stance without question. This master scholar, the most significant precursor to
the New Shamanism, really its forefather, was Mircea Eliade. Few researchers
have evaluated the man or critiqued the book, but a growing numbers of critics
are placing Eliade and his approach to the history of religions in context,
specifically his armchair anthropology and the impact of a literary imagination
on his supposedly factual work.
Weighing both views, we can properly see
both Eliade's exceptional, creative view of shamanisms and his biased
peculiarity. One of Eliade's driving forces - cultural evolution - was a major
trend in shamanism studies and has since been reified by neo-Shamans. His aim
was to locate 'shamanism' within the history of religion, a quest that went
hand in hand with attempting an etymological derivation for the term.
The misguided idea, in my view, of a
primal Indo-European shamanism based on the 'original' Siberian model has
resulted, alongside the hailing of a singular shamanism as the oldest of all
religions, even the proto-form of many established religions. While such
speculations are intriguing, their basis, along with etymological forays,
largely derives from outmoded evolutionary frameworks and culture-historic
approaches. These have of course been proven inappropriate because of their
Eurocentric and racist use of primitivism vis-a-vis civilisation,
with an erroneous emphasis on innatist progress. The
commanding impact of Eliade as a religious evolutionist has reified such
misnomers. Eliade and other researchers also distinguish between black or
primitive and white or pure shamans, and authentic and inauthentic forms of
possession. These classifications have ethnographic precedents, in Central Asia
for example, but such examples are more subtle and nuanced than Western binary
distinctions between I good' and 'evil'. Eliade's approach was heavily
influenced by his Christian beliefs. During his work on Shamanism Eliade
produced a novel, The Forbidden Forest, in which one finds the consistent theme
of, and focus on, notions of I upward flights' and celestial vistas. Eliade's
Christianity, with its focus on ascension to heaven, influenced this Shamanovel. Literary criticism aside, Eliade's relationship
with Christianity and obsession with celestial ascent also affected his factual
writing on shamanisms. In Shamanism, one finds consistent favourable
referral to shamanic ascent to upper worlds to the negative discussion and
exclusion of descent to lower worlds. There are roughly double the references
to ascent than descent, a count reflecting not the preponderance of shamanic
ascent cross-culturally, but Eliade's personal bias. Elsewhere, he uses the
words infernal' and demons when describing lower shamanic worlds, but spirits
and supreme beings to address upper worldly entities, concepts clearly dictated
by a Christian world-view. (See D.C. Noel, The Soul of Shamanism: Western
Fantasies, Imaginal Realities, 1997.) It seems Eliade was either purposefully
or subconsciously searching for what he perceived to be the most fitting in
shamanism' to reflect aspects of Christianity.Indeed,
this Christian perspective influenced other aspects of Eliade's research on
shamanisms. Within the history of religion, Eliade's aim was clearly to
elucidate the earliest religious form. This quest for archaic ontology could be
criticised, for its primitivism according to which
tribal peoples are perceived by the West to have inherited the simplest and
therefore most archaic forms of religion. To Eliade, this religion was
'shamanism'.
He also distinguished a true or archaic
shamanism as distinct from spirit possession, which was seen as being more
corrupt, historically more recent, and subject to decline, degeneration and
'decadence' (Eliade Recent Works on Shamanism. History of Religions 1, 1961:
155), hence Eliade's motivation for the subtitle 'archaic techniques of ecstasy'.
Rather than showing shamanisms to be backward, as previous researchers had
erroneously done, Eliade perceived shamanism as the true, 'paradisal', Endemic
religion in which a Supreme Being reigned: during ecstasy the shaman 'recovers
the situation as it was at the beginning land] re-establishe[s]
the "paradisal" situation lost at the dawn of time' (Eliade,
Shamanism: Archaic Techniques of Ecstasy, 1964: 99). Eliade's implicit agenda
was to search for examples of celestial ascent, a Supreme Being and comparable
themes in shamanisms and 'primitive' religion, to authenticate his belief that
all shamanistic religions displayed a global Ur-Christianity.
Seeing Shamanism in terms of this
religious and political manifesto sheds new light on how and why Eliade represented
shamanisms in the way he did. This theme of attempting to redirect spiritually
impoverished Westerners also influenced Joseph Campbell's quest for perceived
primitive Christianities, clearly indicating how
Western notions and impositions of supreme deity and Endemic religions have
permeated studies on shamanisms . But followers and critics do consider Eliade
a remarkable scholar, and his his attempting an
integrated humanistic endeavour in some respects
anticipates current trans-disciplinary efforts in academia.
Castaneda
The in 1968 “Teachings of Don Juan: A
Yaqui Way of Knowledge” by Carlos Castaneda became an instant best-seller for
the University of California Press, and the same work was submitted as a
Master's dissertation. Its main themes surround use of entheogenic plants to
gain supernatural power and knowledge, a subject wonderfully timed for
consumption in the psychedelic 1960s.
A Separate Reality: Further
Conversations with Don Juan (1971) charted Carlos's continued shamanic training
between 1968 and 1970. With journey to Ixtlan (1972),
the third book, Carlos received a PhD; it describes how shamanic 'alternate
reality' can also be accessed without the use of entheogens, again nicely timed
for a post-psychedelic audience. The relationship between Carlos and Don Juan
continues in Tales of Power (1974), and the many shamanic experiences he
describes now become repetitive. Perhaps, at first, Castaneda was not set on a
money-spinner, but by the fourth book this seems to have been. The authenticity
of Don Juan was accepted for six years, until Richard de Mille and Daniel Noel
both published their critical exposes of the Don Juan books in 1976 (De Mille
produced a further edited volume in 1980).
Most anthropologists had been convinced
of Castaneda's authenticity until now indeed, they had had little reason to
question it - but De Mille's meticulous analysis, in particular, debunked
Castaneda's work. Beneath the veneer of anthropological fact stood huge
discrepancies in the data: the books contradict one another in details of time,
location, sequence, and description of events. There are possible published
sources for almost everything Carlos wrote. In addition to these
inconsistencies, various authors suggest aspects of the Sonoran desert Carlos
describes are environmentally implausible, and, the Yaqui shamanism he divulges
is not Yaqui at all but a synthesis of shamanisms from elsewhere. The
controversy does not end here.
Castaneda's estranged wife wrote in
detail about how Carlos was hardly new to shamanisms when he 'met' Don Juan.
Like other seekers of his generation he had been influenced and inspired by
alternative spiritual thinkers and psychedelic explorers, particularly Aldous
Huxley and Timothy Leary. It Is also interesting to note the academic politics
of the time. Awarding Castaneda a PhD was encouraged by the phenomenologist
Professor Garfinkel, whose belief in reality as social construction convinced
the critics that Castaneda's alternate reality vis a-vis ethnographic actuality
should be academically acceptable. Since, Huichol shamans have been commercialised for neo-Sharnanic
consumption for example by Brant Secunda, who
presented their practices as an unchanged and pristine form of shamanism;
hardly scrupulous ethnography. Further intrigue surrounds Castaneda when he was
not forthcoming in addressing the accusations of fakery as they emerged, and
there is little to merit belief in Castaneda's work as anthropological 'fact'.
He neglected to produce field notes on request, eventually claiming they were
destroyed in a basement flood. When he did respond to the critics, Carlos was
mysterious and elusive. Part of the problem in accepting Castaneda's work,
then, is that it is hard to accept Castaneda himself. Indeed, which Carlos?
There are multiple versions of where
Castaneda was born, who his father was and the rudiments of his life story up
to entrance into UCLA, most of them peddled at one time or another by Carlos
himself. He even disputed his marriage to Margaret Runyan Castaneda and the
fathering of her child. Carlos revelled in enigma and
enjoyed confusing people as he attempted to 'stop the world' (an idea possible
deriving from Gurdjieff) shamanically. Carlos almost
invited people to expose him, and that, rather than destroying him, gave his
work ever greater publicity and mystery. Michael Harner
however told Richard de Mille that Carlos's work is '110 per cent valid since
it conveys a deep truth.
The danger of universalising
shamanisms and devaluing the individual experiences of indigenous shamans,
alongside the under-cutting of their truth by a fake shaman, is clear. De Mille
adds that it is Castaneda's methodology, and the alternate shamanistic reality
he presents, that we are asked to believe, rather than the ethnographic 'facts'
themselves, which are certainly fictitious: Castaneda wasn't a common con man,
he lied to bring us the truth. His stories are packed with truth, though they
are not true stories, which he says they are. This is not your familiar
literary allegorist painlessly instructing his readers in philosophy. Nor is it
your fearless trustworthy ethnographer returned full of anecdotes from the
forests of Ecuador.
This is a sham-man bearing gifts, an
ambiguous spellbinder dealing simultaneously in contrary commodities wisdom and
deception. That's unusual. It may be important. And it needs straightening out.
(De Mille, 1976) But perhaps the greatest concern for academia is that
Castaneda's work exemplifies a stunning and embarrassing parody of normative
anthropological practice. The research is presented as fact, but the field
notes are lost, the results are qualitative and therefore not repeatable, and
the methodology is unconventional, even dangerous (involving entheogen
ingestion). Additionally, the publications are more populist than academic and
read more like an autobiography than a positivist ethnographic record. Many
anthropological supporters of Carlos were steadfast in their 'belief' in Don
Juan and the ‘truth' of the writings, not because they were naive but because
they required the material to be presented as scientific anthropological facts.
Presentation as normative anthropology legitimated both their belief in the
universal shamanic 'truth' of the work and their own approaches to shamanisms.
Unfortunately for experiential anthropology, Castaneda's tale is bogus in every
other way, so giving the methodology a poor entrance into anthropology. And had
Castaneda actually been reflexive and candid - and quite simply honest about
his 'novelistic' accounts, the literary turn in anthropological method of the
1990s might have had an earlier introduction into the discipline. A behaviour encouraged by reading Casraneda's
books and the influence the books have had on his readers (including their
disruption of certain Native American societies Castaneda's books sensationalised), are issues which have been almost
completely overlooked. Thousands of readers seeking an alternative to chemical
psychedelics headed for the hills of southern Mexico. The local Indians were
overwhelmed by the sheer number of hippies and appalled by their manners. But
this does not stop Castaneda's books being 'spiritually' valid to neo-Shamans.
Noel in the above quoted book suggests. The absolute bizarreness of this whole
Castaneda controversy must bewilder those largely unfamiliar with it. This in
turn fuels the power of the Castaneda story, the public was not even informed
until three months after Carlos died, and various stories surround the events
of his death. The version favoured by acolytes of
Carlos is that physical death was superseded by a spiritual death in which
Castaneda's spirit transcended material existence…. The shamanic death of their
founder marks a culmination point for the Toltec Warriors. From their
perspective, 'Saint' Castaneda - whom most of them will never have met - has
crossed over to the other-world near to a celebrated date in Western history,
surely a fortuitous omen. Henceforth, Nagualism looks
set to flourish in the new millennium. Castaneda's teachings remain fabricated
lies to most of us, yet they have taken on biblical proportions to his
aspirants. Whatever we choose to believe, Carlos Castaneda was certainly the
greatest anthropological trickster, who, significantly, presented shamanisms in
a way which made people want to be shamans.
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June 27, 2003