By Eric Vandenbroeck and co-workers
The Discovery Channel announced a
series about Atlantis deciding that novelist Stel
Pavlou was right to tie Plato’s allegory to the alleged flooding of the
Black Sea around 5000 BCE, despite matching none of the details of Plato’s
fictitious story.
As we will point out
below the Atlantis myth has long been used in support of colonialist,
imperialist, and racist narrative, including the Spanish conquest of the
Americas, the Anglo-American expansionist colonialism the Age of Empires, and
Nazi searchers for the Aryan homeland.
Why We Never Found Atlantis
Numerous attempts
have been made to rationalise Plato's myth and find a
kernal of historical truth in it. Noble attempts to
find this reality have been made by amongst others, J.V. Luce (1969) and Peter
James (1996). All have failed. Proponents have to alter major parts of Plato's
tale, such as location, dates and it's very nature in order to find that match.
Also, more than enough groundless speculation has, and continues to be written
about Atlantis, all of it based on pure conjecture. None of this need be
considered anything other than what it is, speculation without regard to
understanding Plato and Athens.
The originator of all
lost civilisations is the Greek philosopher Plato,
born in 427 BC three years after the outbreak of the Peloponnesian war and
about a year after the death of Pericles.
A member of an
established Athenian family with political connections he was, through his
stepfather, related to Pericles.As a young man Plato
would have witnessed the downfall of Athens in 404 BC in the Peloponnesian war
against the landlocked state of Sparta. Following Sparta's victory, Athens was
plunged into chaos and tyranny. After eight months of enduring the tyrants, democracy
was restored and the thirty oligarchs were either killed or driven out. Notable
amongst the tyrants is Critias. This is surely theCritias
of the synonymous dialogue in which Atlantis is introduced. Thesame
Critias who knew Socrates.
The democracy, in
settling old scores, had Socrates put to death on trumped up charges of
corrupting the young, something that Plato never forgot or forgave. To Plato,
Socrates' death meant a final disillusionment with contemporary politics. In
the ten years following Socrates' execution Plato drifted away from politics
towards philosophy.
Plato's seminal work,
"The Republic" outlines the ideology of Plato's perfect state, one in
which the rulers are philosophers. "The Republic" was written down in
the early years of the Academy which Plato had founded in 386 BC. This institution
was his answer to his disgust with contemporary politics and was, in essence,
to train the philosopher-rulers of a future Athenian state. Plato died in 347
BC.
In considering the
"Timaeus and the Critias", which includes the story of Atlantis, it
has to be read against the background of "The Republic".The
Critias dialogue is in direct response to Socrates demand to know how his ideal
state will conduct itself in action. What Socrates means by this ideal state is
of course Plato's Republic. In essence, this story is to be an illustration of
how the ideal state conducts itself in warfare against it's
neighbours. Three real states are bound up in this
struggle; pre-Salamis Athens (the noble model), post-Salamis Athens and Persia
(the Atlantean models).
The noble ancient
Athens can be seen as the Athens which stood alone against Persia (Atlantean
model). Atlantis in the tale is both Xerxes' Persia and Periclean Athens
(Atlantean model), both maritime powers full of hubris, deceit and
vanity.
Therefore the themes
are the destruction of Atlantis by noble ancient Athens, in this have the
defeat of Persia by Athens standing on her own and the defeat of Periclean
Athens (Atlantis) by Sparta (the noble state). The moral lesson being that evil
will not and cannot stand against determination, courage and integrity.Both Persia and Periclean Athens had large
fleets, something very much in common with Atlantis. Both were expansionist,
intent on empire and crushed whoever stood in their path.
Plato has placed many
clues in the "Timaeus and Critias" which tell us that this is not
literal history but a political and moral tale - a parable. Look at what
happens to the hubristic aggressors; Persia, Athens and others. Follow the
dictates laid down in the Republic or suffer the fate of Atlantis!
Atlantis is a paradeigma, a
model, not a reality.
Now to the story of
Atlantis itself, the story concerns the greatest and noblest action of Ancient
Athens, the defeat of aggressive Atlantis.The story
relates that this happened far back in history, so far indeed that the Greeks
cannot recollect it. The story states that both Egypt and Athens were founded
by the same goddess, namely Athena, patron goddess of Athens. It was said that
Athena founded Athens in 9000 BC and Egypt in 8000 BC. At this point in the
story, anyone who thinks that this is a factual account, is simply being
naive.
There was no city of
Athens in existence in 9,000 BC. There may have been a small Neolithic
settlement but nothing else, no acropolis, no temples etc. As this was the
stone age, the fine city of Socrates simply did not exist. This account also
has nothing to do with the archaeological evidence regarding Egypt in the
pre-Dynastic period. The Egyptians have their own creation myths and they have
absolutely nothing to do with Athena.
We are asked to
believe that the Atlantis myth reached Athens through the medium of Solon, who
lived between circa 630 BC and 558 BC. Solon was a famous 6th century lawmaker
and one of the seven sages. He was considered to be the founder of Athenian
democracy and, in Plato's time, was thought of as a glorious icon of a better
time. Who better to give the story authority and, as he is long dead, he can
hardly refute the words Plato places into his mouth.
According to the
story Solon learns of Atlantis during a visit to Egypt. Both Herodotus
(1.29-30) and Aristotle (Ath.Pol 11.1) place Solon's
visit to Egypt after his Athenian legislation. There is a discrepancy here as,
according to Plato, Critias said that Solon had intended to use the tale as
poetry but was prevented from doing so because of the state he is said to have
found Athens in on his return. Solon had to abandon his poetic aspirations in
order to take up law making and return order to the city. If both Herodotus and
Aristotle are correct, and they were much closer in time to these events, then
the inference is that Plato didn't fully check his facts when writing this part
of the story.
Plato also uses the
Egyptians, who were thought by the Greeks to be the wisest of peoples of great
antiquity and the keepers of secret knowledge. In using both Solon and the
Egyptians, Plato gives his tale two elements that can lend it both a ring of
truth and authority.
We can state with the
utmost confidence that no such story exists in the Egyptian record either at
Sais or elsewhere.
According to the
Egyptian priests who supposedly related the tale to Solon, the Greeks forgot
their own history, forgot the noblest race of men who ever lived, who happened to
be Athenians and Solon's ancestors ! Is this likely? No credence can be given
to having the Egyptians know more of Athenian history than the Athenians, here
Plato ignores plausibility for credulity.
In the connection
then between theassociation of Athens, Egypt and
Solon, Plato has Critias engage in atypical fourth century practice of tapping
into an historical source forpolitical validation,
and in this case the source is pseudo-history.
Within the
"Timaeus and Critias", Plato has used the two interlocutors as role
models for Athens and Atlantis. Timaeus represents the noble state, Athens, and
Critias the hubristic state, Atlantis. An important clue as to the fictionality
of the Atlantis story is the occasion on which Critias relates he heard the
tale from Solon, the feast of the Apatouria. This
feast was associated with deception and deceit and its traditional origin was a
celebrated Athenian victory won by the deceitful abuse of an agreement. This is
Platonic irony at work, a tale of noble Athens related on an occasion of
deceit. Plato wants those with the eyes to see it, that Critias is both a liar
and a deceiver. In response to Socrates, Critias says: we will transfer your
city from myth to fact; we will assume that your city is ancient Athens; in all
ways they will correspond and so we will not be out of tune in saying that your
citizens are those very Athenians of long ago. Critias further embellishes this
metamorphosis at 27a-b.
Plato uses the
character of Critias to illustrate the tragedy of Athens. Just as Critias
admired Solon's fame he also failed to perceive the moral of his story so, on
the Panathenaea, the Athenians celebrated the glorious deeds of their
forefathers in defeating the Persians but failed to perceive or heed the moral
of that defeat.
In identifying
Atlantis with both Persia and Periclean Athens we can realise
that Atlantis did not exist as a real state but is, in fact, based in part on
two expansionist maritime powers who came to grief in conflict with smaller,
more noble, states.
The story is one that
describes the moral and theological aspects of the two great wars in Greek
history; the conflict with Persia and the Peloponnesian war. It could also
encompass many other wars. It reflects Plato's ideas in as much as it reveals a
paradigmatic and universal truth.
Pericles deserves
some of the honour of making one of the surest
identifications of Atlantis, as it was he who told his fellow citizens to think
of their city as an 'impregnable island' (Warman Welliver, “Character, Plot and
Thought in Plato's Timaeus-Critias”, Leiden 1977). The Athenians made little
attempt to disguise their ideology: they spoke of themselves as "ruling
over subjects", not "leading allies". Elsewhere Pericles and
Cleon flatly state "we are ruling like a tyrant over cities which do not
like it".
We can summarise the "Timaeaus and
Critias" as a parable of good (ancient Athens) triumphing over evil
(Atlantis). However, a good or an ideal state such as that described in the
Republic is impossible due to the unpredictability of human nature and the
world as outlined in the Timaeus sosmographic
dialogue. Thus we don't have a broken narrative ending the Critias as its
ending is in its beginning (Timaeus 25 b-d).
We must recognise that Atlantis is a speculative exercise in
political rhetoric albeit philosophically based.
NB: The Greek word pseudos and its corresponding verb means not only fiction,
stories and tales but also lies, fraud and deceit. This ambiguity must be
remembered.
Gateway to Atlantis: Urheimat der Arier
The Carolina Bays are
shallow oval depressions widely scattered over some south-eastern states of the
USA, of unknown date and speculative origin. True to the rather scrupulous
candor he has earlier shown in his book, Collins tells us that these Bays have
never evidenced any traces that might have come from a comet or asteroid and he
acknowledges that geologists have not proposed - among their several theories -
any extraterrestrial explanation for them. Nevertheless, some wants to date
them to about 8500 BC and relate them to the fall of a comet, that caused (or
at least mightily contributed to) the end of the last ice age. He mentions the
notion of an ex-Second World War rocket engineer (no prizes given for guessing
which side he was on) that there are two "deep impact sites" in the
ocean east of the Bahamas. He doesn't mention the absence of any
sedimentological evidence from seabed cores in the Atlantic of any such
disturbance as the deep impact of a comet or asteroid would surely make. Nor has
any young lava been identified that would have erupted as a result of the
impact, nor is there any extraterrestrial material in ice cores of the required
date or any magnetic record of disturbance. As a special explanation for the
end of the last ice age, the commentary impact theory leaves much to be
desired. For a start, we would have to wonder how all the other ice ages ended
- did a comet always come along to finish the job?
Needless to say, this
belongs to the nightmare-scenario persuasion when it comes to the end of the
last ice age, and even quotes Frank C. Hibben at some length from his Lost
Americans of 1946. (You really would conclude, to go by the Atlantologists,
that no up-to-date, let alone scholarly, work had been done on glacial geology
for the last half-century.)
So a comet is quite
in order in believers' eyes as an added ingredient to the pictured mayhem of
mass extinctions that Hapgood ascribed to earth crust displacement. For
believers, the comet supplies the sudden tsunami to break up Atlantis in the
Antilles, and the postglacial rise in sea level renders that flooding
permanent.
The comet idea wasn't
a new one with the German rocket man: as far back as 1788, Glan Rinaldo Carli
suggested that Atlantis may have been sunk by comet strike, Donnelly more than
toyed with it, and the idea was renewed with Karl Georg Zschaetzsh
in 1922 in his ominously titled Atlantis: die Urheimat der Arier, "the
original home of the Aryans."
Collins realizes that
all the amateur geologizing and glyphinterpreting
rather go for nothing unless it can be shown that there were any people in the
region of the Antilles and Bahamas in about 8500 BC to witness his comet,
tsunami and flooding. (By this time, he is taking it for granted in Gateway to
Atlantis that Cuba was the core of Plato's Atlantis and that Plato got it
right, even if accidentally, that the catastrophe occurred in 8500 BC - not
that that is altogether what Plato says. He is also taking it for granted from
hereon that a comet did indeed strike the western Atlantic at that date.)
Believers avers that "outside the constraints of archaeological
opinion," a reference I take it to the sober, systematic search for a body
of consistent evidence that professional archaeologists demand, outside those
constraints "there is compelling evidence to show that the sunken regions
of the Bahamas and Caribbean still hold important clues concerning the
historical reality of lost Atlantis."
What we get is some
footprints of unknown age in mud-rock, the Bimini Road again and those odd
sightings from the air, and reports of underwater caves with bones. It is
certainly true that archaeologists are not going to find any or all of that in
the least bit compelling as evidence for the previous existence of the
"shining jewel" of Atlantis on Cuba and its empire among the
Antillean archipelagos. Believers think these areas "may well"
provide us with proof of a settled neolithic culture that was terminated by
this commentary impact of about 8500 BC.
"Neolithic"
means the New Stone Age way of life of the world's earliest farmers, before the
use of metals, usually with pottery but no written records. Even if such a
neolithic presence in this region were satisfactorily demonstrated at an early
date of 8500 BC (and there is not a scrap of serious evidence for that), we
should still be obliged to note that such a way of life was a far cry indeed
from Plato's highly sophisticated, indeed luxuriously oversophisticated,
kingdom of Atlantis. Believers even seem to think that Plato's shipfilled, canal-ringed city of gold and silver palaces,
awash with statuary, may yet be found somewhere near Cuba. Does he seriously
think all that could have arisen in a neolithic context evidenced at best by
some bones, footprints and dubious marks on the seabed, plus axe, idol,
standing stone, earthworks and poor quality pictographs, all undated. A line of
Latin poetry comes to mind as one nears the end of believers' weighty and
erudite tome, when a putative bunch of neolithic farmers in Cuba with very
little to show for them turn out to be the chief product of all that heavy
delving into mythology, geology, philology, cartography, archaeology and
cosmology:
Parturiunt montes,
nascetur ridiculus mus.
("Mountains
are in labour, there'll be born a laughable
mouse.")
Horace,
Ars Poetica, line 139
To pile on top of
such a truly laboured construction the idea that,
much later, Phoenician merchants (for whom there is likewise not a scrap of
serious evidence in the New World) could have taken an accurate memory of this
Atlantis back to Plato might strike many as laughable indeed.
Many statements about Atlantis hark back to the old colonialist
attitude resurfacing at the end of the twentieth century, which saw it taken to
horrible extremes by the Nazis (no strangers themselves to entertaining every
sort of alternative archaeology).
Eric Kurlander, the
professor of history at Stetson University, traced the strange movements in
Germany of about a hundred years ago in his book "Hitler's
Monsters: A Supernatural History of the Third Reich" This possible connection to India and
Tibet was a particular obsession for Heimlich Himmler, the ruthless head
of the SS and the Gestapo police. For the Aryan myth to be proven true, he
figured, the actual location and history of the Aryans needed to be uncovered.
Himmler spent a decade on a semi-mystical project that had an SS unit called
the Ahnenerbe (Ancestral Heritage), which
included archaeologists and scientists, searching the globe for the lost Aryans
of Atlantis.
As the
historian, Sir Richard Evans of Cambridge University pointed out:
"The Nazis saw world history in terms of a struggle between races and
survival of the fittest. They thought all races were inferior to the Aryans.
Himmler wanted to press forward with a new religion, including sun worship and
old gods. He wanted the SS to become a kind of cult or Aryan aristocracy."
Like the rest of the Atlantological riters, believers make
much throughout of stray finds and random similarities, yet consistently they
make very little of one of the most important aspects of real archaeology: its
insistence on full cultural context and repeated association of finds, with
corroborated dates.
Merlin Burrows, a North Yorkshire, England based company that claims
to “find anything that has been lost, forgotten or hidden with pin-point
accuracy. We provide a full project management service to a bespoke level
depending on the client requirements and the scope and parameters of the works
required.” According to their website they use “deep-scan surveys” and employ
historians, marine archaeologists, and specialist researchers to locate
national treasures, search for wartime shipping and aircraft (ancient, modern,
and current), and–of course–archaeological sites.
This resort to
folklore is positively
Donnellian in its recklessness, seizing on
anything like tales of fire or ones from the sky as evidence of commentary
catastrophe, and quietly downplaying such grotesque and impossible twaddle as
serpent-bodied goddesses without navels that inextricably goes with these tales
- and reveals their highly imaginative nature.
Lastly, believers'
work evinces that need to subvert the findings, indeed the entire approach, of
the academic archaeologists that we almost always find - more or less
virulently - in all the writers of "alternative archaeology." I
suppose that the proponents of theories wildly divergent from the conclusions
of the paid, appointed professors are always under pressure to do down the
work, the attitudes and even the motives of the professionals. After all, how
can it be that the university professors disagree with, worse still ignore, the
startling insights achieved by the independent researchers? They must be blind,
or hidebound, or jealous, or fearful for their own jobs, surely. The
"alternative archaeologists" seem to find the published work of the
professionals unrewarding in its lack of colorful hypotheses, its emphasis on
data to do with potsherds and pollen grains, its graphs, and sections, its
statistics, its satisfaction with modest gains in detailed knowledge and its
rigorous testing of all interpretations of its material, old and new. I
sympathize with their evident bafflement when faced with the publications of
the professionals. But then I would be baffled if I browsed through some
article in Nature about cell chemistry or stellar physics. (I wouldn't,
however, tend to think that the authors of such articles were generally up to
no good.) It has to be said that plowing through various books about Atlantis
can itself call for some stern dutyfulness on the
reader's part, just to keep on with it, not so much to the bitter as the
anticlimactic end. Whole tracts of these "alternative" archaeological
writings manage to be both thin and heavy going at the same time, with nothing
at all certain to show for it at the end, as I fear more - even among their
most well disposed readers - have found out than
would care to admit it.
Believers have not
contributed any startling new details to our diagnostic list of features of the
Atlantis myth. The literal reliance on Plato, the idea of a vanished primal
civilization, the ready resort to folklore, the predisposition to catastrophe, the
theme of secret elites, the fixation on transatlantic intercourse before
Columbus, the penchant for amateur philologizing and geologizing, the defiance
of the academic archaeological establishment - all these are well-worn signs of
the Atlantis myth syndrome. What, perhaps, he has highlighted more than most -
though he's by no means the only exemplar, far from it - is the potential for
hard labor without significant issue that is contained in this whole genre.
But our main task now
is to make a full characterization of the multi-symptomed
Atlantis myth syndrome and to ask why its "victims" (to keep up the
medical simile for a moment) are so prone to it - both the writers and the
readers of the genre. In what follows, it should not be thought the suggestion
is being made that all the proponents of Atlantology
have ever presented all the features of the syndrome, or that any particular
one of them has shown signs of any particular tendency.
See also:
Cuba's Gateway To Atlantis P. 2: Cocaine
Gateway to Atlantis P.3: Seven Cities, El
Dorado
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